REVIEW: John Scalici - "RhythmMusic Vol. 2"

Following is a music review I recently wrote. I thought some of you might be interested in checking it out.

Based in Birmingham, AL, John Scalici is an internationally recognized drum circle facilitator, speaker, musician, clinician, and master teacher whose creative artistry is perhaps paralleled only by his desire to encourage and build individuals through the gift of music.  He is also an artist of high caliber, bringing to mind stellar percussionists such as Glen Velez, Trilok Gurtu and Alex Acuna.  Whether in schools, churches, community centers or health care facilities, Scalici’s infectious enthusiasm and positive nature serve to bring joy along with a sense of teamwork and therapeutic accomplishment to the participants in his workshops and programs.  His enthusiasm and artistry effectively inform his latest project, RhythmMusic Vol. 2, which mostly showcases Scalici’s instrumental prowess, but also includes guest vocals from friends.

“Boomsmacker” is a fascinating amalgam of West African rhythms with hand drums and shakers, along with kalimba, or African thumb piano.  What give the track a particularly interesting twist are syncopated blues guitar riffs which reveal the blues background that makes up part of Scalici’s musical resume’.  A listen on headphones offers a real treat as the roots of the blues are taken back to the mother land.  A variety of hand claps, producing various tones and timbres, are woven with hand drums to provide the polyrhythmic framework for “Clappit”. With a light improvisational touch, various percussion instruments add just a bit of spice to enhance things in what amounts to an inventive yet groovy listening experience.

With foot stomps and hand claps reminiscent of rock group Queen’s “We Will Rock You” forming the foundation, Scalici’s “Culture” provides the introduction of vocals on the project as chants come together with simple kalimba melodies to form a chorus.  As the assorted musical parts fall into place, the Queen reference is all but forgotten.  Talented poet Sharrif Simmons delivers his thought-provoking and contemplative message as the rhythm strips down to make the right canvas for his recitation.  With lyrics such as “culture is memory redeeming stories” and “songbirds sing symphonies” and “valleys of dry bones”, Simmons thoughtfully expounds on a number of topics while tying them into the central theme.  “Culture” also features imaginative production techniques characterized by cool separation of various percussion instruments in the soundscape.

“Nature in a Cup” features a sparse rhythm comprised of Agogo bell, hand drums and percussion instruments played with sticks.  Scalici’s use of restraint allows for sparingly played swampy guitar chords and notes to provide a hint of melody.  African-American spoken word samples bring “Nature in a Cup” to the back porch of rural Alabama, or maybe Mississippi, in this pleasantly creative fusion of styles and colors.

While RhythmMusic Vol.2 is a mostly organic and acoustic affair, Scalici uses a throbbing synth in the intro to “Ricky’s Rhythm” as he sets things up for crazy interlocking rhythms and guest vocal injections (“this is a really craaaazy scenario!”) on this made-for-headphones track. Distorted guitar is also added to the mix in a non-intrusive way while thundering drums percolate in the background and various assorted percussion instruments work just to the forefront with great panning effects.

“Things on the Line” begins with a spoken word intro followed by ancient-sounding bells.  Unexpectedly, a drum kit comes in with a funky kick and snare beat, though it never overwhelms the bells or spoken words.  To reinforce the backbeat, Scalici employs a synth bass which seems to be approached more like a percussion instrument than anything else.  As diverse as these sounds are, they somehow work together very nicely.

The project concludes with the Native American-influenced “Two Friends”, which includes a tranquil flute, trickling water sounds and assorted shakers over a tribal beat foundation.  The percolating rhythm, with some drums played by hands and others with sticks, offers just the right pulse.  Simple, bird-like flute melodies drift in an out as the track comes to a close.

While some percussionists seem to fall into the trap of jamming to no end, John Scalici never does this here.  Instead, he has melded exotic and ethnic rhythms with subtle colors, textures and influences to make RhythmMusic Vol. 2 an inspired and entertaining work of art.

Review by Mike Roots
Rating: 5 Stars (out of 5)

The Koffee Klatch!

For the past month and a half or so I've been co-hosting "The Koffee Klatch" with Sam Grover, who was gracious enough to ask me to join him for the morning show which can be heard from 7:00-9:00 on Wednesdays and Thursdays. Along with a music mix (some of Sam's picks and some of mine), you'll hear news, sports, weather, the community calendar and more. It's been a challenging and fun experience for me as I have the opportunity to read the news, chat with Sam and have the opportunity to work with him, which makes this much different than presenting my regular show, "Reggae Explorations" (Thursdays 7:00-9:00PM, Fridays 10:00-Noon [R]). Remember, you can catch all the programming on Torrington Community Radio WAPJ 89.9 & 105.1 FM!

REVIEW: Twinray "The Train You're On"

The duo of Desiree Irwin and Mike Poupko, collectively known as Twinray, draws from  backgrounds rich in performance and recording and represents the convergence of diverse backgrounds and musical styles. Irwin, having worked with the likes of blues legend Buddy Guy, and having served as musical director in a theatrical setting, is an accomplished vocalist/pianist, reminiscent of artists such as Natalie Merchant and Sheryl Crow. A talented and tasteful guitarist, Poupko honed his chops playing with Chicago-based rockers Dearborn while also doing session and theater work in the Windy City.  Along with fellow members of the aforementioned band, Poupko gained notoriety by opening for a number of major acts and contributing music used on NBC television programming. Twinray's sound is an organic brand of pop with elements of rock, folk, soul, blues and country. The Train You're On is the Chicago-based duo’s formidable debut, encompassing these styles and incorporating subtle touches in mature and
uncluttered fashion.

A fresh and fun start, "Do You Want to Go" features a loping, funky groove courtesy of a rumbling bass line, Poupko's vintage Motown-styled riffs, an inspired horn section and organ. Irwin's voice, possessing a playful, girlish quality with a hint of Taylor Swift-ness, is pure and emotive as she sings feel good lyrics about hitting the open rails and taking the music coast to coast. As she sings, "I'm ready to jump in and start our life long journey," you begin to get the sense that the lyrics may be more metaphorical than anything else. "Every Day" is pretty, acoustic-based rock with Irwin offering words of comfort and encouragement. Poupkos adds a bit of slide guitar for color as the tempo skitters along, reminiscent or MercyMe's "Finally Home." Here, and throughout The
Train You're On, producer Sean O' Keefe (Plain White T's, Fallout Boy, Hawthorn Heights) reveals his knack for allowing songs to breathe, revealing lots of texture and subtleties within the grooves. For all of its artistic quality, though "Every Day" lacks a strong hook.

Irwin reveals her blues-steeped vocal roots on the pointed "Who Do You Think You Are." Rather than being vindictive, Irwin lets her subject know that she is on to him and his self-absorbed and manipulative ways. In a surprising twist, she reveals that even though she sees all of the negative qualities that she thinks she might actually have feelings for this guy, but she's confused. Apparently she either finds these qualities appealing or, as she sings "I want to see what makes you tick," she sees something more behind the facade.

Acoustic roots rock gets a bit of soul infusion on "My Heart's Not Breaking," as Irwin's vocals are revealed in their splendor. The story of a break up, her steely denial gradually melts to reveal hurt and betrayal. With a strong chorus, abundant with vocal harmonies, a smart bridge and effective chord progressions, "My Heart's Not Breaking" is clearly a highlight of The Train You're On. Poupko's hooky riffs along with the earthiness of an organ and variety of percussion serve to keep everything flowing and connected.

On "Crazy In My Mind" Irwin's wistful piano and Poupko's rustic slide and rhythm guitar bring to mind Nora Jones at her least sedate. What sounds like a tune perfect for a lounge or coffeehouse changes quite dramatically as energy builds into a cathartic bridge with heavy drums and squealing guitars. The results here are quite good with Irwin's
impassioned vocals a focal point.

The R&B-tinged "No Such Thing As Better" reveals a different and unexpected side of Twinray as a throbbing yet restrained synthesizer, congas, organ and funky guitar establish the structure. Irwin sings as she offers words of warning against the impending danger of greed and the selfish pursuit of success. As she sings, "Enticed by Eve and her apple / Bright and red made of plastic / When it's gone there's nothing but the core / And you're left wanting more / There's no such thing as better when you've got to best", the message is loud and clear. "No Such Thing As Better" proves to be a high-water mark for The Train You're On in terms of structure, meaning, and Irwin's vocal prowess.

"You Can't Be Found" is an understated yet heartfelt ballad, filled with yearning for emotional intimacy. Soaring vocals, folk-jazz guitar, and violins are layered and woven together nicely. Lyrically introspective, Irwin reveals a disarming vulnerability as she expresses the frustration of searching for an evasive love. The bubbly Sheryl Crow-
like "Twisted" showcases Poupko's guitar playing as well as ambient qualities in O'
Keefe's production technique.

With its shifting and shuffling rhythm, "Sleeping Prophet" doesn't connect quite as well as some of the stronger tracks on the album, despite some cool backing vocals and piano parts. "Waiting," with its acoustic guitar, subtle horn charts and lush, yet spacious arrangements, brings The Train You're On to a strong and tasteful conclusion. Poupko's distorted guitar, reminiscent of Paul McCartney & Wings, offers a pleasant touch, augmenting the retro feel already in place. Irwin's vocals are warm and rich as she articulates the struggles of being patient while trying to see and experience the blessings of the present.

Twinray's The Train You're On is an impressive debut. It’s not without flaws, but containing a number of gems, revealing terrific interplay and musicianship along with quality songwriting.

Review by Mike Roots
Rating: 4 Stars (out of 5)

Things that (slightly) irritate you

I know this is petty in light of real issues, but we all have things that for some reason just get under our skin. And then, in not taking myself too seriously, I can laugh at them- usually after the fact, course. Here are my pet peeves:

1- Drivers who pass me on the road like I'm in PARK, only to be found at the next traffic light, and then repeat their bad behavior.

2- When people say "mines" instead of mine. (ex: "That's yours, this is mines.") Ugghhhhhhh. What is that? To me, this one is like scraping a fork across a dinner plate.

3- Watching television with someone who tries to watch several channels at a time. Truth be known, my wife is one such person. Thankfully we don't watch very much TV. Maybe this is part of the reason why, at least for me.

4- Drivers who throw cigarette butts out the car window. Why do people think it's okay to do this? Aren't cigarette butts considered trash? Using their logic, shouldn't it be okay to throw cups, bags and whatever else out the window? No further questions.

5- When people keep calling and never leave a message. WHY ARE YOU CALLING ME?

I feel better now.

Between jobs

Almost everyone will end up in this position at least once, and most likely more than once. Yep, I'm searching for a job. Something I'm considering (and it won't happen overnight) is a career in voice over. In case you didn't know, voice over is basically voice acting, and is used in everything from radio and television ads to audio books, documentaries and telephony. Having been involved in radio for a number of years as a host and producer of my own shows, and having recorded a handful of radio and television commercials, it seemed like a natural progression to explore the field of voice over.

One thing I've found out (and I've found out lots) is that the difference between radio and voice over can be like night and day. Sure, my experience with radio has helped me some in terms of my ability to read clearly and project my voice, but I have to say I never really thought much about being a voice actor. And that is a crucial part to being good at being a voice professional. One needs to have the ability to make copy come alive by adding emphasis, changes in tone and pitch and by conveying emotion with little or no change in volume (and not rushing!). It's a humbling experience in that although I have years of radio and a bit of voice over experience, there is so much I need to learn.

I've been working with the folks at Edge Studio who have been very helpful and honest in providing an assessment of my abilities while teaching me some of the basics and sharing a wealth of great resources. As I said, making this a career will take some time, but so far I'm finding it challenging and enjoyable. With that, I see where my voice could be used for so many different things that could add value to people's lives.

What will my next job be? Honestly, I haven't the slightest idea! What I do know is that I am trusting in the Lord to guide me in choice-making and to give me favor where He sees fit.

EDITORIAL: Loophole Legislation

Imagine telling your teenage daughter she has to be home by 10:00. Well 10 o'clock comes around and there is no sign of her; no phone call, no text message- nothing. At 10:55PM she casually opens the door and comes strolling in like nothing is wrong. "Where have you been? I told you to be home by ten and it's almost eleven." She replies, "I've been in the back yard since ten. You said I had to be home by ten and I consider our entire property to be part of our home." Or how about if she never came home that night and instead showed up at 10AM the following morning? Her explanation might well be, "Well, you said I had to be home by ten, but you didn't specify ten o'clock at night."

Sounds ridiculous, doesn't it? Of course, children sometimes try these things, looking to find grey areas and loopholes to their advantage, or so they might think. It is ridiculous and unacceptable, yet the judges in American courtrooms are doing the exact same thing with the U.S. Constitution when it comes to making rulings on same sex marriage.

In a recent ruling on the issue, Chief U.S. District Judge Vaughan Walker overturned Proposition 8 (California's voter-approved same sex marriage ban) claiming it was unconstitutional. The part of the constitution Walker is claiming conflict with is the 14th amendment, specifically Section 1. Here it is:

Section 1. All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside. No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.

The loophole Walker is using along with judges in Massachusetts, Iowa, Connecticut, Vermont, New Hampshire and Washington, D.C is that same-sex couples should not be deprived of the the privilege of marriage. If these judges were to be intellectually honest, they would have to agree that our founding fathers, those who drafted our constitution, had the understanding that the union of marriage was intended to be between a man and a woman. Though I am by no means an expert on the issue, there is no pertinent legal documentation to my knowledge that supports they believed otherwise.

By applying the reasoning of Judge Walker, a person should be able to marry his own child or sibling if he so chooses. After all, why should anyone be deprived of the privilege of marriage? The basis for Walker's ruling is as ridiculous as your teenage daughter's excuse for coming in at 10AM the next day instead of 10PM the night she went out. And to make it worse, his ruling makes a dangerous mockery of our system of democracy by going against the wishes of the majority of California voters who voted Proposition 8 into effect.

Further, by using the logic of many politicians in that the issue of whether or not same-sex marriage should be legal is something that should be decided by the states, we might as well begin calling our country The Divided States of America. It makes no sense to me for a same-sex couple to be able to legally marry in one state only to relocate to another state where it is illegal, or vice versa.

Though I didn't agree with former President George W. Bush on a number of issues, I did support his effort to have an amendment made in the constitution, defining marriage as between a man and a woman. He was simply trying to bring clarity to what the authors of our constitution took for granted- that people with common sense, including judges, would understand. How foolish they were.

Manute Bol passes at age 47

 

I can recall one winter night back in 1985 when my dad, his friend Kuch and myself went to what I believe was an NCAA Division II All-Star basketball game in Durham, CT. My father, a former all-state basketball player in Connecticut (THS '60), went on to attend the University of Hartford on a full athletic scholarship and from there played some semi-pro ball with the Hartford Spickets. Later in life, he was a great fan of the game. On this particular night, the main reason we were going to this basketball game was to see an impossibly tall (7'-7") and long-limbed Sudanese player named Manute Bol, the center for the University of Bridgeport's team. While not the most skilled player, Bol had already developed a reputation as a formidable shot-blocker who had begun to gain the interest of some NBA teams and had earned the nickname, "The Dinka Dunker" (he was a Dinka tribesman). Indeed, he went on to play in the NBA for 10 years with four different teams, blocking as many as 11 shots in a half and 4 in a single possession.

I had kind of forgotten about Manute Bol until a couple of years ago when I heard that he had broken his neck in an automobile accident, the result of his cab driver driving under the influence of alcohol. I had heard that he made a recovery, but beyond that, nothing else.

Manute Bol with University of Bridgeport in 1985
(Photo: Bill Polo/Boston Herald, via Associated Press) 

What I never knew is that Manute Bol was a Christian who gave nearly all his money to help suffering people in Southern Sudan and Darfur, and even risked his life doing it. In 2001, he was offered the position of Minister of Sport by the Sudanese government, but refused because one of the requirements was for him to renounce his Chirstian faith and convert to Islam. You can read more about Manute Bol and his involvement with the Sudan Sunrise organization by clicking HERE

Yesterday, Bol died in a Virginia hospital as a result of severe kidney trouble and a rare and painful skin condition at the young age of 47. Today I am inspired by the Manute Bol I never knew and who shined brightly, not so much on the basketball court, but in his acts of love and kindness which got little fanfare.